We were thrilled to music critic Alex Ross’s most recent piece in The New Yorker — it is all about Meyer Sound and features our new Constellation and Libra sound systems. He really couldn’t have described the system better:

On a recent visit to Oliveto, a nouvelle Italian restaurant in the Rockridge neighborhood of Oakland, California, I paid attention less to the food than to the sound. I was at a table of six, in the restaurant’s upstairs section. It was a Friday night, and by the middle of the meal the room was crowded. Conditions were primed for restaurant cacophony: that inexorable crescendo of talking, barking, cackling, and clanking, which threatens to drown out any conversation and prompts diners to shout at one another, adding to the din. On this night, though, I found myself able to tune out the noise and hear only what I wanted to hear. When someone at a nearby table began guffawing at his own jokes, I could still follow the remarks of the calm-voiced man sitting next to me. Friends on the other side of the table spoke across the breadbasket without having to raise their voices. Although we were aware of a general buzz, it all happened at a comfortable distance. It was two hours of acoustical paradise. …

Read the rest of the article on The New Yorker website, or grab a copy of their February 23 issue when it hits newsstands.